Ah, if you bought the cds fair enough, sinse buying those from Amazon wouldn't be a problem. if they do a remastered season 4 or a full box set of the hole bundle I might actually do that in the future sinse it's a good enough series to want a physical reminder of.
Now, finale time!
beware! Spoilers below! spoilers that will spoil your enjoyment of the finale with all their spoilerific spoiliness! so stop here lest you wish the finale spoiled by the spoilers!
I really liked the Scratch plot, the resolution with all the characters felt exactly right and I also loved the fact that after huge and pyrotehcnic battles over both towers with rocket powered grenades and goodness knows what else, we just got a quiet but intense small group battle in the building. I would've liked Cj to confront Scrach again, but hay you can't have everything. I also thought the resolution with Bert and Rily was awsome, ---- harsh, but awsome!
My problem was with the ink dispatching. The entire story was 70 minutes however nearly half was epilogue, this didn't really feel like enough time to deal with Ink correctly. I was looking forward to hearing him speak and maybe seeing some of his zombie labs up close and personal.
sAul having a sacrifice was wonderfully unexpected (though I knew it was all over when he said he was going after the robot), however generally the sequence really didn't feel as complete as it should've done, heck the Prison or the Hospital seemed more major events which is quite something when your talking about the closest thing to a king zombie.
Once Saul started fighting INk and Ink proved amazingly tough, I did wonder if the guys would go down after Saul and we'd get more of a show down, but sadly not, and while what Saul did was great Michael sort of felt superfluous to requirements.
The Epilogue was a nice idea and I like the fact that the framing story was revealed as Michael and co talking to Nicholas, a very nice touch. However I felt this hole segment dragged on a little too long and took up too much time. The Exposition of the zombies was nicely vague, while still providing a little more information, (though I'd have preferd a better way of presenting this in the story than just Michael jawing about it), , but by the point I'd finished that I really didn't care that much about whether Nicholas joined the guard or not, and the real point of that scene, showing what Bert, puck and Cj were upto and showing the protection symbol could've been done without the all the prevarication, ---- indeed I was half wondering if the zombie Nicholas sighted with the rifle was going to turn out to be someone significant, particularly sinse we never saw Ink's last project that Saul threatened about in the previous chapter.
In general I'm mostly pleased with the finale and feel it does indeed provide a good end to most of the series elements, I just wish Ink got more of a send off, actually this should really have been a multi part story so that one full section could be devoted to scratch, and another to Ink. While Scratch certainly got her due (we even found out about why she's been missing so long), Ink didn't seem to which was a trfle disappointing and made Michael and Victor feel a bit unnecessary in the end, indeed I thought the appearence of Randy (though I did wonder if that would be Randy or Ink's last project), was something of an anticlimax.
So in the end, yeah, it was a good finale, but I do think they could've done a better job, especially if you compare it to the build up and execution of past finales (especially season 1).
I'll be interested to see what they do next. A seuqel to we're alive would of course be possible, though as a fan of stories that end properly rather than trickle off into mediocraty, i'd prefer if it did have a distinct ending, ---- though other stuff set in the same world, perhaps exploring the new Mexico origin of the zombies, or the Texus colony might be fun, sinse surely Ink wasn't the only person to discover ways to manipulate the zombies for his own purposes, and there are definitely more bad people like the mawlers around.
Then again, given the writing tallents of KC Wayland, perhaps a new genre would be a nice change, he could do a great job with any story that chucks a number of ordinary people into an extraordinary situation.
With our dreaming and singing, Ceaseless and sorrowless we! The glory about us clinging Of the glorious futures we see,
Our souls with high music ringing; O men! It must ever be
That we dwell in our dreaming and singing, A little apart from ye. (Arthur O'Shaughnessy 1873.)